Diane Dever and The Decorators, Customs House: Urban Room Folkestone, commissioned by the Creative Foundation for Folkestone Triennial 2017. Image by Thierry Bal.
Diane Dever and The Decorators
Customs House: Urban Room Folkestone
The Harbour Station used to be a frontier, and so required a Customs House: the artists have used line markings to suggest the huge footprint of the historic building. A small part of the building survived bombing, and their architectural furnishings create an Urban Room dedicated to remembering the history of the town and encouraging debate about its future. Customs are the collective behaviour of a community: changes in behaviour can shape the physical environment in which we all live, for better or worse, just as developments in the built environment can also affect the way people behave.
Diane Dever is an inter-disciplinary artist/curator/producer who works collaboratively to explore the intersections of public, private and liminal space. Her work seeks to provoke insight into how urban space is experienced, quantified, produced and understood. She does this by making interventions in public space and by curating festivals, projects and events. She is interested in the notions of ‘the Civic’ and ‘Public’ and how the creation of opportunities in art-making or business enables a holistic approach to development of universal benefit.
Since 2008 she has led Folkestone Fringe and in 2015 she was given responsibility for the curation – as a social space – of Folkestone’s Harbour Arm, a one kilometer long ferry and railway terminal undergoing extensive restoration. Folkestone Fringe was commissioned early 2015 to produce an Urban Analysis of Folkestone as a research tool for Folkestone Triennial artists and (an evolving) foundation document for Urban Room Folkestone.
Previous projects include Radio Civic Space (2012) for Lisbon Architecture Triennale; Six Lines Some of Which Are Broken (2012), New York, (Radio for Transmission Arts and John Cage Trust); Boat Radio (2012) (pop up digital arts transmission radio station); International Lighthouse Relay (2011). With Jonathan Wright she contributed Pent Houses (2014) to Folkestone Triennial that year.
The Decorators is a design practice with partners from the disciplines of psychology, landscape architecture and interior architecture. The practice works with local authorities and public institutions to design produce and deliver community building interventions in regeneration areas. Putting conversation at the heart of their design process, they seek to understand the existing assets of a place and deliver design solutions that unveil and celebrate the unique qualities of that place in order to inspire a process of change that retains local culture. Their expertise lies in working with the in-between spaces of the city and with a diverse range of stakeholders.
They are designing the temporary parliament for the 2017 Visible Award at the Queens Museum in NYC. Antecedents for Customs House: Urban Room Folkestone might include: a temporary Imagination Lab with the Institute of Imagination (iOi) in the Old Fire Station, Lambeth High Street (January 2017); Le Jardin Essentiel in the Biennial Parckdesign (2016) in Brussels, an event that aims to interrogate the cultural and social role of parks in Brussels by turning them into spaces that enhance citizen participation and thereby social and environmental awareness. They also worked with the V&A (2011) to create a new ‘performed archive’ for the museum.
For more information and to download the full programme of events visit urbanroomfolkestone.net
Folkestone Urban Analysis: an ‘Urban Analysis’ is often carried out before undertaking a master plan for larger developments. It analyses the urban environment through the perspective of geography and history — any ‘place’ is composed of geography and history (its material shape and the stories told about it). Folkestone Triennial commissioned Diane Dever and John Letherland to compile an Urban Analysis of Folkestone, initially to help artists research their commissions for the Triennial, but also as a ‘foundation document’ for Urban Room Folkestone.
An Urban Analysis can never be complete, because the environment keeps changing its shape along with the stories that are told about it. Urban Room Folkestone invited Steven Smith of Urban Narratives to hold five walking workshops, summarised in the downloadable documents below, between March and June 2017. The walks were planned to engage local residents and visitors in an exploration of the urban form of Folkestone by following a series of paths following the historic patterns of movement from edge to centre that have shaped the town. Each walk started towards the edge of the town, following meandering paths through streets, side paths, steps and parks before eventually arriving at the Urban Room. Each walk produced a small folio of imaginative drawings and diagrams, which provided the agenda for lively and passionate discussions between the participants.